Curatorialist

Many have gathered to make art in the form, and spirit, of collaboration. Little of it transcends. Originally, the Louvre was a place for a sort of artists’ collective, during the French Revolution. But collectives borne of necessity have a distinct advantage over graffiti artists getting together to do a mural for Nike. Maybe this kind of thing has been done before, but I haven’t seen it. A UK Website here proposes that an interaction on the site results in instant action/reaction at a real art studio. Like much art that relies on technology, rather than a more viscous material, it feels a bit cybercold underneath it all, but from what I’m seeing, the art that’s getting made at the studio itself is secondary to the possibilities that this opens up. Remember Christy Brown, of “My Left Foot” fame? Putting that into context with today’s technology offers some very encouraging possibilities. Beyond that, the gap bridged by technology has never seemed to reach into the world of fine art. All of the sudden, the Internet is a real tool for expression and the spreading of paint, clay, pencil lead and many other things. It is well time that our exponential growth in technology lead to something more artistic, human, tactile and expressive. I’m into it.